The artwork Sabbath of the Great Other uses the paintings Witches’ Sabbath and The Great HeGoat by Francisco Goya as a point of departure. The ritualistic scene is reinterpreted as an allegorical struggle between the Self and Other. The same body houses both these states. Effectively the one becomes an Other (or another) of the self, both entities vying for dominance with a constant struggle to arrive at an ambivalistic threshold.